"Styles...are little more than teaching variations of common principles."Elbow SMASH!
- Hiji Até
"Styles...are little more than teaching variations of common principles."Elbow SMASH!
The ultimate goal of all martial arts is to defeat the enemy without fighting back. (pg. 82)It's funny because what Nagamine Sensei is saying can come off sounding a bit mystical; like, "how the hell does a martial artist defeat someone by not fighting back? Like is there some magical secret technique that allows me to win without touching the person?" But how then do we defeat the so-called "enemy" without fighting back? I think the answer to that lies with what Lisa said; you need to train yourself to deal with these acts of physical violence and in doing so you'll find that because your inner world is improving with regards to confidence about self-protection the outer-world around you becomes less of a Threat. In other words, you overcome fear. And you find that you project yourself with confidence which is not how you might project yourself if you had a sort of "victim-mentality". Let me be redundant and say it like this (and of course this is only theoretical): If you have a martial pedagogy that develops confidence in the practitioner through the development of functional self-defensive skill, then that person will carry themselves in such a way so as to not come across as being an easy target for predators and thus having less of a need to deploy their martial tools because they are not being targeted as frequently. But I think this is also different for women as opposed to men. Women may be targeted simply because of the fact that they are female. But the essence of not being an easy target lies in that "inner-confidence aura" that one gives off either way...I think anyway. It's probably a bit more involved than I can explain at the moment. But what an interesting phrase, the "Threat Paradox"; it speaks directly to what the Okinawan karate masters were saying. It is ironic that a group like Impact, who distinguish themselves apart from "martial arts" are in fact more closely aligned with the origins of karate and its main philosophical proponents than they think.
"We don’t get into a stance to do techniques; we do techniques by moving into stances."What I meant to say of course was that what was typically taught as "stances" were actually just intermediate movements to show how the student should be positioning their body weight in the midst of executing their technique; and that these labels for such things were the result of this mass-based style of teaching that has occurred in the karate world only in the last 100 years or so. And this teacher was right when he said, "Have you ever seen a brother on the street go into a 'stance'?" And I was like, "Of course not dude." What I wanted to say was, "But that's not the problem of an 'Asian' style. That's the problem of karate being taught in a watered-down way when it was formally introduced to the public in the early 20th century." I mean it's insulting to think that my Okinawan karate ancestors would be thought of as stupid enough to be teaching their art in a fragmented way as it is taught today. I was like, "you need to be doing your reading brah. You can't be passing on the same narrow-minded concepts and misconceptions that even some of these 'Asian' instructors are doing. I don't give a f*** what your 'African' perspective is. That's more like a political statement and has nothing to do with teaching them indigenous fighting arts from that great continent." Of course, I said all that in my head. But maybe I made the mistake of sort of getting into it with this guy. I mean, I was already unimpressed and a bit disgusted with his teaching style, so that's my fault. I wasn't at all trying to challenge his knowledge base. It's just that I hate it when people say they doing "karate" and they don't even know what the f*** that means. And even more so, it's like these kids aren't even being given the richness of what that art is. I mean I feel like some kind of "Okinawan karate renaissance man", even though my own training and physical ability is lacking. But that's what I truly want to embody for real. And I'll admit that on this blog and hold myself to that standard. I think cultivating "kisshu fushin" is what a karateka should be about. And of course I should add, what do I know about teaching any of this stuff? Can I do any better? And if I think I know how to do it better, why ain't you doin' it then? If I think this instructor sucks so bad and I think his martial arts skill is nothing, then what do I have to back my words up? I recognize that you really can't challenge the dominant pedagogical approach unless you yourself are a "badass". And what I mean by that is you gotta be wicked at what you're doing. You gotta have a wicked "demon's hand". It's gotta be good. For example, I don't think Bruce Lee could have said any of the controversial things he said if he wasn't any good. He was good. That's why people paid attention to him. Same thing with me. If I'm no good with my karate then I really can't be whining and complaining about how all these teachers don't know how to teach or what to teach. If I'm so concerned about all that, then you do it (talking to myself). That's it right there. That's the standard. You gotta be good. You don't need to be "the best". But you need to strive for always broadening your horizons, always challenging yourself (dialectical thinking) and always training. Don't be telling a student to "drop down and give me 50" if you ain't gonna do that yourself (or can't do that yourself). I don't care if you're Black or Asian or White, whatever. The color of your skin does not determine the quality or content of your teaching character. You need to kick ass with what you know in your chosen field and with what you do. You need to be a "professional". That's what I believe my own Sensei was. But I'll talk about that in the next post.