Amateur

Maybe I should put that word into the title of this blog somewhere so people don't get the wrong idea. I'm not that "good" of a martial artist. Meaning, I lack the experience that lets me know I can function successfully in a fight (that means being able to prevent an aggressive person from further attacking me so that I can escape to safety). I've never been in a fight. I've had someone punch me in the head before and I've punched and kicked others out of anger (yes I've been a bully), but I've never had a fight with another person. That's not to say I necessarily want or need this experience (nor am I saying I don't want to experience that). I mean most certainly I'm not the type to go out looking for fights to test my skill. That may be one way of learning. I don't know how I can go about learning this for myself except in a dojo environment that trains for functional fighting skill for the purposes of dealing with Habitual Acts of Physical Violence. I mean, functionality is one part of the totality of martial arts, but it is an important part I believe. And what I mean by "fight" is the chaotic, unpredictable nature of human on human violence; not a UFC/MMA/Boxing match with rules and regulations. Functionality with what you do, in any field of skill/craft, breeds confidence (for the most part). Yeah, it could breed arrogance too, but that's why it's only one part of the TOTALITY. That's why Nagamine Sensei stressed "ken zen ichinyo" (karate and zen are one). Point is, I'm not a professional. I'm an amateur. I say that too because I mean if you look at how many hours I actually train in one week (and not how many days) then you can see that 4x/week only adds up to like 4~5 hours of actual skill development with the guidance of a teacher. That's nothing. What's that study of how many hours it takes for a person to gain mastery of something? I mean, the real training takes place outside the dojo; like doing your homework. That's something I learned with my Sensei. The dojo is like going to the classroom. If you don't do your homework though, you don't really get a good grasp on what the lesson is about. This is the importance of having good training partners as well. Training alone can only give you so much. Guess I'm still trying to figure out how to make my training schedule work in order to develop "functional spontaneity".

Elbow SMASH!
- Hiji Até

Two things I'm doing

Oakland's great. I love it. Its got the opportunities I need and want and its got the necessity for the ideas I want to manifest. And having this blog is great cause it allows me to sort out my thoughts and take the risk of having others read my thoughts (which they may disagree with). Which is important because, for an artist like myself, taking that risk to put yourself out there for whatever potential audience and allowing your thinking and work to be challenged needs to become the habit. That to me is Dialectics. Anyways, save that for another post.

With that being said, there are two things I recently started doing here that I think are on their way towards achieving the goals I've set for myself with regards to karate.

#1:
About a couple weeks ago I enrolled myself in a Wing Chun class being taught at a dojo that is only a 10 minute or less drive from where I live. I had become particularly interested in Wing Chun primarily from my time spent in Detroit. I mean, Wing Chun is probably most famously known as the art in which Bruce Lee was a student of. While I of course knew of this, my ambitions had nothing to do with being like Bruce (I mean, who doesn't want to be a badass with what they do right? Like Bruce was. But each of us has got to cultivate our own Inner Badass if you know what I mean). My ambition, as of recently, is to better understand how karate functions as a martial art. As I've blogged about before, modern karate is not functional for "fighting". However, its origins were very much about practical fighting skills. I don't think it was any one YouTube video I was watching nor was it any person that turned me onto Wing Chun (nor was it the Ip Man movie series!); I guess I was just noticing how some of the hand movements, kicking, body movement, and other basic principles of the art were relatable to what I had been reading (particularly articles by Iain Abernethy) and what I knew from the kata I had practiced for the last 4-5 years. I did take a Wing Chun trial class in Detroit at Eastern Market, but lacking money, I never enrolled. Which makes my move to Oakland interesting because I just read somewhere that Oakland is one of the major Wing Chun "centers" in the US. Cool. I'm in the right place. So, I just started doing that. Sifu Greg LeBlanc is an interesting guy. Out of the other two places I visited that offer Wing Chun training, Sifu Greg seems to have the most serious approach, plus he's got an amiable demeanor which makes learning a new art not so "hard". And the per-monthly class fee was reasonable ($85 for 3x week) and like I mentioned the dojo is really close, so all of that was a factor in why I started there. Already the first few classes have shown me how karate was once a functional and brutally effective martial art for close-quarter "fighting" (I'm using that word in quotations now because something Sifu Greg said last night made sense: "There's no such thing as self-defense". I think he must have been rephrasing one of his teachers, but something about that made sense to me. I just want to emphasize that I'm not using that word to imply that I can go into a UFC ring and "fight". I'm talking about fighting to prevent someone from further harming you or to save your life. That's totally not the same thing). While of course Wing Chun has its differences with the karate of Okinawa, I saw it as being the best approach to begin understanding how I could make my karate functional. I mean, schools that teach "functional" or "practical" karate are, to my knowledge, few and far between. I don't have the money, nor the ambition to fly to the UK to train under Sensei Abernethy or go to Australia to be a student of Patrick McCarthy (well-known karate researcher, historian, teacher). I mean it's really like Grace says, you gotta make a "way out of no way". If something isn't there, if the opportunity doesn't exist, you have to recognize your power to make it exist. This is one of the greatest lessons I learned from my time in Detroit. So that's number one....

#2:
The second thing I've been less getting myself involved with but more in the research stage of right now is in the area of "Personal Safety". I'm looking into various groups and organizations that offer this type of training/service in order to see where I fit in. I think actually that I can make a living within this field. There are instructor training courses that are being offered in order to teach Personal Safety. I recognize that's a broad term, but where I'm focusing in on right now is groups like IMPACT Bay Area who focus on teaching things like "self-defense" tactics to women (that's really a semantics thing isn't it? What sounds more civilized, self-defense or fighting?). I'm also looking into another organization that focuses on teaching martial arts to young people. I can't be for certain at the moment, but I am recognizing that this field is the most attractive in terms of where I'd want to make a living. The author Matthew Fox in his book, The Reinvention of Work advocates for us to locate our soul work; work that is healing and transformative. From what I've read and listened to, the kind of work that IMPACT and other organizations are doing is definitely along those lines. I'm very eager to see where my investigation into this field leads me and what can come out of that.

---
That's all for now. This coming month and the rest of the summer should prove to be interesting and provide for some good blogging material. (Funny, I almost sound like I have some kind of reading audience that I'm speaking to. Yeah, that's right. The imaginary one in my head! Peace y'all!).

Elbow SMASH!
- Hiji Até

Detroit Summer 2012

This blog is supposed to be a "karate" blog where I blog down my thoughts about karate. Well, it's also my blog so that means I can blog about whatever the heck I wanna blog about even if it ain't about karate. Which brings me to the subject of this post, "Detroit Summer". Yes, today is the 27th of May. And it was on this day last year that I first arrived in Detroit, Michigan. I was just on the phone with a friend (whom I had gotten to know in Detroit) and we were marveling at how long it has been already since that time, but also how it seems as though it were yesterday. I technically first drove into the city on the 26th of May, but it was like ten at night. So my first official "day" in Detroit was today, the 27th. I remember when I initially left Torrance, CA I told my parents that I thought I would be gone for the summer. I ended up staying in Detroit for 10 months. I mean, I knew I wasn't just gonna be gone for a summer, but I also didn't know what was gonna happen. I had never taken a trip like that before. An adventure really. It still amazes me that I actually did that. I mean, the whole reason I am living in Oakland now is because of my time in Detroit. If I hadn't met someone there, if we hadn't nurtured a long-distance relationship on the phone, then I wouldn't be in Oakland. My life has literally not been the same since I left LA. The magic of that Detroit Summer is still with me when I reflect back on it. But it saddens me because I feel as though I still want to bask in the glow of that time. Being in Oakland now for almost two months, working this crappy make-money-so-I-can-pay-the-rent job is downright depressing compared to the summer I arrived in the Motor City. Sometimes I wonder if that actually happened. It's almost dreamlike. I'm a bit disappointed in myself that I am still not doing my "bliss". I most certainly do not want to work as a slave for $9/hour washing cars at a dealership. I mean, it's great that my schedule is part-time which allows me some flexibility in doing my real work, like training and volunteering. But I want my "real work" to be my full-time job. I mean, ideally we want to make a living doing what we love. Problem is for me, I still haven't quite figured out what it is that I "love". What's significant about this blog though is that its genesis was the result of my experience with "teaching" karate to people in Detroit. I say "teaching" like that because I'm not trying to make it sound like I'm actually a martial arts instructor. Maybe one day. But right now I consider myself a student. I mean, 5 years of training? That's not much to go on. Give it another decade or so and I might have something to actually "teach".  Point is, what I "love" has something to do with a combination of things, mainly artistic/creative pursuits of which karate is one. My time in Detroit led me to discover things about this art of my ancestors that I had absolutely no idea of before. Things that, had I not learned about in my research, would have probably driven me to quit this art before I even really started. It is my limited but growing understanding of these things that drives me to want to continue my training. In Detroit there was not a sister school of our LA dojo, nor did I find peers or instructors that did the karate I did. Yeah, maybe I didn't look hard enough, but I mean there really was not a lot of quality martial arts opportunities there, at least not on the surface. In Oakland, it's almost the opposite in terms of opportunities for training and quality, but there is still no sister-school nor have I found a set of peers that do the karate. So, like Grace Lee Boggs rephrases, I have to make "a way out of no way". I mean, it's not so much that I need to find a sister school, but rather a group that is about the serious pursuit of a karate that is beyond styles.

Funny, I thought this post was not going to be about karate....

My friend and I doing some sparring at Belle Isle. Cool photo courtesy of Julie.

Oh well...I miss you Detroit.

Elbow SMASH!
- Hiji Até

What does it mean, "the Principles"?

I'm no teacher of the martial arts but this is my blog for blogging things, so if I'm wrong, let it be wrong (or better yet, let someone correct me). What I mean by "Principles" are those basic rules of efficient, economical use of the body when in violent confrontation with another body. For example, when you do the Japanese martial art of Judo you come across the term "kuzushi". Kuzushi refers to breaking the opponents balance in order to more effectively apply your technique and/or to nullify your opponents force. You never fight force with force. That would tire you out and waste your time. Not economical. Definitely not efficient. If you do the Chinese martial art of Wing Chun you come across what is called the "center line" theory. This basically states that there is an imaginary line running from the top of your head straight down to the floor. When you strike or move your body, you are always aiming towards that line or moving your opponent off your own line. Striking to either side of that line enables the opponent to either parry more effectively or incur less damage. If you strike through that line, the opponent has no way to deflect the force, so they take the entire brunt of your strike, i.e. more damage. A principle you might come across in the Okinawan art of karate is the notion that you never strike with just your limbs, you strike with your whole body. So when you punch your arm out for example, you position your feet in such a way so that the back foot can push off the floor resulting in a kinetic movement of force that (along with the twisting of your hips) is expended out through your fist. The best way to visually imagine/explain this is how my Sensei explains it: when a batter hits a baseball, they never just swing their arms to hit, they swing the bat in conjunction with their entire body.  

*WARNING: If I've explained any of these concepts incorrectly, please forgive me and/or correct me. Thank you.

But let's stop for a second (because I've run out of examples from my limited repertoire of examples); if you notice, I was picking out characteristics from those "styles" of martial arts and explaining them as something seemingly unique to that system. The truth of the matter is, you can find any of those principles working within any one of those arts; with the exception of striking in judo perhaps, but judo does have striking techniques (atemi-waza), they're just not the focus. I mean if someone is attacking me and I guided his limbs off of my center line (making him "wrong") resulting in a weakened body position, at which time I applied a foot sweep to make him fall - would I be doing judo because I did ashi-waza? Or would it be Wing Chun because I turned him off my center line? What was it that Miyagi Sensei apparently said (as quoted by Patrick McCarthy):

"Styles...are little more than teaching variations of common principles."  

Yeah, not "Mr. Miyagi" from the movie but the real guy who propagated the Goju-ryu system of karate in Okinawa. My point is, you're not doing any "style" at that point; you are doing "martial arts" (if you define martial arts as being about economical, efficient use of the body during violent conflict). What's needed I think, is a pedagogical model that teaches these principles without the "mess" of style (or the distortion of culture). And because no one system can be all encompassing (otherwise it wouldn't be "a system" right?), you need a way of teaching/learning that can allow for "filling in the blanks" so to speak. I mean perhaps the closest thing to this is Mixed Martial Arts. But MMA is for the purposes of competition; your understanding of these principles is geared towards ultimately winning a match with rules. Which is fine and great. But if your focus is on successfully defending yourself in a situation of unprovoked physical violence (civilian self-protection) then you have to make sure your training fills in the blanks on things not found in a ring (like dudes with knives/guns, surprise attacks, psychological freezes, ethical lines, knowledge of the law, etc). So it's great to start within the foundations of one particular school, and ideally, that school would hold regular cross training sessions with other "styles" in order to better understand their own principles or learn new ones. But I think in today's fragmented world, that may have to be on the student to do themselves; they have to be their own "holistic" school of martial arts.

Elbow SMASH!
- Hiji Até

Fragmentation

Each martial arts student glimpses at pieces of the martial Truth from his/her own limited perspective. The problem becomes when that student confuses that piece as being the whole or believes that piece to be inherent to their "style".

Elbow SMASH!
- Hiji Até

The Principles

Martial Arts needs to be about training on the principles. Once the principles are understood, then the student can decide what is best for their physical constitution. That's why there can be no "style" other than the one that is unique to the student (or the teacher). Right Miyagi Sensei? 

"Styles...are little more than teaching variations of common principles."  

Elbow SMASH!
- Hiji Até

Pet Peeves

The other day I was a bit perturbed when my girlfriend told me that she had a pet peeve about me "smacking" my food when I eat. I guess my mouth is open when I'm eating. She has a point. But I was a little bit offended like, "Why are you being so critical of me? I don't have any pet peeves." And then today I realized that I do (with regards to martial arts of course):

1. Narrow-minded students (the ones who cannot seem to think outside of their style)

2. Style-Nazis (you know, the dudes who believe their style is inherently superior to all other styles)

I guess both one and two are kind of the same thing. But whatever, those are my pet peeves. Didn't think I had any.

Elbow SMASH!
- Hiji Até

I want training to be...

Athletic, vigorous fun. And about skill building. Physical self-defense is a skill. Like going to trade school to learn how to be a mechanic. And there should be a third element to this training; Personal Safety. This has to do (to me) with things like Rory Miller's "7 elements" of self-defense training: (Legal/ethical implications, Violence Dynamics, Avoidance, Counter-Ambush, Breaking the Freeze, The Fight Itself, The Aftermath). I mean, I think all three areas should be ONE area. But maybe for "business" sake, you could teach all three areas separately? I mean, honestly I think the "skill building" is for the serious martial artist (combined with the other two areas). I think for most people it would be more important or useful to cover the "Athletic, vigorous, fun" and the "Personal Safety" aspects. You don't need to be a martial artist to know Personal Safety principles. And you don't need to be a martial artist to know how to break a sweat and improve your body's physical health. The problem I'm seeing with some of the different dojo I've visited is that they either focus on one area to the detriment of the others. Martial arts or karate in particular is a holistic endeavor. I like karate because it comes with a solid guiding philosophy of conduct as well as an impressive array of skill. Only problem is that the "skill" building (the jutsu) has been lost, for the most part. From my experience the focus is on athleticism and vigorous workouts (and sometimes not even fun).

Elbow SMASH!
- Hiji Até

What I Want, What I'm Looking For

I was in downtown Oakland today buying useful kitchen utensils/appliances at the Salvation Army there. Got a good deal on some stuff. Anyways, as I was leaving the area I passed by a business front for Brooklyn Academy Roots. Their circular logo includes the sub-heading "Fitness + Self Defense". Immediately I thought to myself, that's what I'm looking for. That's what I want. I think those two things go hand in hand. And from what I've been reading about with regards to Okinawan karate, that is how it was originally taught...holistically. The business itself has a bit of what my girlfriend might call a "shi-shi" vibe to it; that is to say it gives off the impression that it's for those who can afford expensive classes (we're talkin' $100 or more a month). And it's in a part of the downtown area that is obviously looking to attract young professional types to rent out relatively expensive lofts. Anyways, point is, that is what I want to manifest for myself: Functional self-defensive skill (not just physical of course; gotta have a Rory Miller inspired curriculum) and maintaining a healthy body (i.e. working on cardio, strength, agility and flexibility for example). Somewhere down the line I hope to be able to get involved with providing this kind of "skill-training" for people in "disadvantaged" socio-economic areas; that is to say for my neighbors in the hood. Why should the "Uptown" people be having all the fun and resources? Unless you're seeking to live a bourgeois lifestyle, why do you need to charge folks so damn much? To put gas in your BMW? To pay the mortgage on your half-million dollar home in the suburbs? To be an ass? Just kidding. But I mean for real, I believe this idea of "fitness + self-defense" can and should be made accessible to just about anyone (but that also doesn't mean the self-defensive stuff will be taught to just about anyone; I personally believe you need to show some kind of sound character). It ain't about making lots of money, but it is about making sure you can make a living in our economy. But to get back again to what I was saying, I think Okinawan karate needs to be about those two things. I think it needs to be a holistic art once again if it's going to have any relevance or staying power for future generations to come.

Elbow SMASH!
- Hiji Até

The Measure of a Martial Artist

I don't know, maybe I'm not understanding something, but I believe that the real measure of a martial artist lies in whether or not their perceived skill actually functions in a "live" setting. I'm wary and tired of seeing a countless parade of martial artists who seem to eagerly cite their "belt" credentials on their websites as evidence of their skill. What does that frayed and old-looking black belt matter if you've never been "battle-tested" so to speak? Who cares if you're a 20th dan; does your experience in dealing with physical violence come from your imagination? Or from reality? Part of a living karate lies with the art being informed by actual live experience with physical violence (a.k.a "fighting"). I mean the whole reason we have karate today is because of the kata; and those kata were created based upon the real experience of the kind of violence that was common at that time (see HAPV). I mean, how can you learn how to cook except by doing it? Martial arts is no different than any other field of human endeavor that requires skill development. The only thing is, what skills is your art developing? Functional fighting skill? Or athletic performance?

Elbow SMASH!
- Hiji Até

The "Threat Paradox"

I was fortunate enough to attend the (free!) "Intro to Personal Safety" event in San Francisco I mentioned in a previous post put on by the non-profit group Impact Bay Area. It was awesome. Yeah, it was only a brief one hour introduction to the organization, their curriculum and a few self-defense/awareness tips, techniques and pointers. But it was awesome. It was exactly what I needed and was looking for. And I'm glad it was what I had hoped to expect (I've been too damn disappointed visiting all these dojo and taking their trail classes and just recognizing that they weren't giving me what I was looking for). It was actually the executive director of the org, "Lisa" that facilitated the intro class. She was great. Very engaging and clear in what she had to say. One interesting note is that, besides being attended by all females, the majority were Asian. I thought to myself, "hmmm. That's interesting. Yeah, there's a lot of Asians in Frisco but they aren't the majority...." Anyway, I just thought that was interesting. (Okay just fact checked the US Census Bureau and "Asians" make up 33.9% of the population as of 2011. Never mind. Thought I was on to something interesting there. Turns out that's probably the result of numbers). Okay. Blah blah bluh. As I was saying the introduction event/class thing was great. I told Lisa that I learned more in one hour about self-defense than I did in 5 years of training at my dojo. Sounds exaggerated but it's true. I'm hoping now to check out more of this group and see if the instructor training is something I'd like to undergo.

But onto why I titled this post "the Threat Paradox"...

If I heard and remembered correctly, this was something Lisa said in reference to the fact that the more a person knows how to defend themselves physically and verbally, the less they will find themselves having to employ those skills. As I reflected on that, something Shoshin Nagamine said in The Essence of Okinawan Karate-Do came to mind:

The ultimate goal of all martial arts is to defeat the enemy without fighting back. (pg. 82)

It's funny because what Nagamine Sensei is saying can come off sounding a bit mystical; like, "how the hell does a martial artist defeat someone by not fighting back? Like is there some magical secret technique that allows me to win without touching the person?" But how then do we defeat the so-called "enemy" without fighting back? I think the answer to that lies with what Lisa said; you need to train yourself to deal with these acts of physical violence and in doing so you'll find that because your inner world is improving with regards to confidence about self-protection the outer-world around you becomes less of a Threat. In other words, you overcome fear. And you find that you project yourself with confidence which is not how you might project yourself if you had a sort of "victim-mentality". Let me be redundant and say it like this (and of course this is only theoretical): If you have a martial pedagogy that develops confidence in the practitioner through the development of functional self-defensive skill, then that person will carry themselves in such a way so as to not come across as being an easy target for predators and thus having less of a need to deploy their martial tools because they are not being targeted as frequently. But I think this is also different for women as opposed to men. Women may be targeted simply because of the fact that they are female. But the essence of not being an easy target lies in that "inner-confidence aura" that one gives off either way...I think anyway. It's probably a bit more involved than I can explain at the moment. But what an interesting phrase, the "Threat Paradox"; it speaks directly to what the Okinawan karate masters were saying. It is ironic that a group like Impact, who distinguish themselves apart from "martial arts" are in fact more closely aligned with the origins of karate and its main philosophical proponents than they think. 

Elbow SMASH!
- Hiji Até

What is this thing they call "Karate"?

I went and visited a martial arts class at the East Oakland Youth Development Center yesterday. I was interested in volunteering my time there and I had time yesterday to turn in my application. Anyway, I sat in on a class of about 10-15 young people (probably ages 5 - 12). The teacher looked to be a mid-30 something Black man. All the kids themselves were Black. I watched as this teacher lined up his students and had them do striking-to-the-head drills. Although this is similar to how my own Sensei taught young people in our dojo, it felt inappropriate to watch this man teaching these young kids how to hit someone in the head. I was also a bit perturbed (okay, I was outright disturbed!) by the sloppy approach he had in running through these exercises. I kept thinking, these young kids need to sweat. They need to be moving around their bodies. Not lined up in messy formation trying to block-punch each other. That doesn't teach them s***. I don't know why I was thinking this. I just felt that there needed to be a holistic approach to what was going on. Martial arts is not all combative technique; there needs to be physical activities that promote flexibility and cardiovascular strength and body movement, etc. (I mean those things go hand-in-hand). Especially at that age; the older kids can be learning the more dangerous stuff, maybe. Anyways, a lot of the kids said the word "karate" in reference to what they were doing. And at first I thought this guy was teaching them some type of Shotokan-style karate because he had them all do Heian Shodan. It was weird to watch them all do whatever this messy kata was set to a too-fast count by the teacher. I was like, "what the hell is the point of having them do that?". They aren't learning anything by running through some form that they aren't even going to explore the bunkai for. And besides that's inappropriate anyways to be showing them any of the brutal techniques in those kata at that age. They could probably learn a lot more by doing a non-martial related aerobic exercise. Or just like have them doing some kind of physical activity that promotes the development of whatever areas that would be necessary for their martial development. I think it was Bruce Lee that said something about martial arts being a "vigorous" activity. That's what I'm itching for in my own training. Again, martial arts or karate in particular should be, and was holistic. That means you are physically fit and you are developing martial skill, among other things. I waited till the end of the class to speak to the instructor. He was Afro-centric in his thinking; similar to what I've encountered in Detroit. He told me he was teaching from an "African perspective" and an "urban" perspective. I thought "okay". Then I asked, "what does 'urban' mean?" I said, "do you mean like you are trying to teach how violence would happen on the street?" Then he got up and explained something about how the "Asian styles" they teach "stances". And I was like, "There are no such thing as stances", remembering what I had read been reading from Iain Abernethy:

 "We don’t get into a stance to do techniques; we do techniques by moving into stances."

What I meant to say of course was that what was typically taught as "stances" were actually just intermediate movements to show how the student should be positioning their body weight in the midst of executing their technique; and that these labels for such things were the result of this mass-based style of teaching that has occurred in the karate world only in the last 100 years or so. And this teacher was right when he said, "Have you ever seen a brother on the street go into a 'stance'?" And I was like, "Of course not dude." What I wanted to say was, "But that's not the problem of an 'Asian' style. That's the problem of karate being taught in a watered-down way when it was formally introduced to the public in the early 20th century." I mean it's insulting to think that my Okinawan karate ancestors would be thought of as stupid enough to be teaching their art in a fragmented way as it is taught today. I was like, "you need to be doing your reading brah. You can't be passing on the same narrow-minded concepts and misconceptions that even some of these 'Asian' instructors are doing. I don't give a f*** what your 'African' perspective is. That's more like a political statement and has nothing to do with teaching them indigenous fighting arts from that great continent." Of course, I said all that in my head. But maybe I made the mistake of sort of getting into it with this guy. I mean, I was already unimpressed and a bit disgusted with his teaching style, so that's my fault. I wasn't at all trying to challenge his knowledge base. It's just that I hate it when people say they doing "karate" and they don't even know what the f*** that means. And even more so, it's like these kids aren't even being given the richness of what that art is. I mean I feel like some kind of "Okinawan karate renaissance man", even though my own training and physical ability is lacking. But that's what I truly want to embody for real. And I'll admit that on this blog and hold myself to that standard. I think cultivating "kisshu fushin" is what a karateka should be about. And of course I should add, what do I know about teaching any of this stuff? Can I do any better? And if I think I know how to do it better, why ain't you doin' it then? If I think this instructor sucks so bad and I think his martial arts skill is nothing, then what do I have to back my words up? I recognize that you really can't challenge the dominant pedagogical approach unless you yourself are a "badass". And what I mean by that is you gotta be wicked at what you're doing. You gotta have a wicked "demon's hand". It's gotta be good. For example, I don't think Bruce Lee could have said any of the controversial things he said if he wasn't any good. He was good. That's why people paid attention to him. Same thing with me. If I'm no good with my karate then I really can't be whining and complaining about how all these teachers don't know how to teach or what to teach. If I'm so concerned about all that, then you do it (talking to myself). That's it right there. That's the standard. You gotta be good. You don't need to be "the best". But you need to strive for always broadening your horizons, always challenging yourself (dialectical thinking) and always training. Don't be telling a student to "drop down and give me 50" if you ain't gonna do that yourself (or can't do that yourself). I don't care if you're Black or Asian or White, whatever. The color of your skin does not determine the quality or content of your teaching character. You need to kick ass with what you know in your chosen field and with what you do. You need to be a "professional". That's what I believe my own Sensei was. But I'll talk about that in the next post.

Elbow SMASH!
- Hiji Até